Method Memos - Volume 2 Issue 1

METHOD MEMOS

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Miss Julie: Acting Rarely Seen On Stage

Last year, I started rehearsing a play called Miss Julie with former Ultimate Acting Programme students.

The reason for this endeavour is to deliver acting that you rarely see on stage. It's different from your run-of-the-mill approach, and the work differs from what you see in most theatres. Why? Because most productions are scared to deliver work that goes against the norms and are fearful of adverse reactions from the public and critics, the problem with this is that everyone ends up playing it rather safe. What I mean by safe is that the productions are rehearsed to deliver

an 'acting-by-numbers nice-to-watch' play. That's not what we are doing. We are taking significant risks regarding what people 'expect' to see when they watch a play. I can't say more than that right now, because I wouldn't want to ruin the surprise of the work when you come and see it. One of the main focus points for our work is to liberate the actor. To allow the actor to use their instrument to express the very subtle and the very extreme without losing any psychological truth. Easier said than done. Watch this space for more details. �

Miss Julie in rehearsals; Victoria Wiseman as Miss Julie and Mark Morris as Jean

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